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I first heard Robert Miles' 'Children' as an 11-year-old attending sleepaway camp for the first time. The camp had its own magic-teaching program led by Ricky, a gregarious but slightly mysterious counselor, who set all of his campers' magic routines -- performed to easily wowed parents every two weeks on visiting day -- to the elegant thump of 'Children.' The performance would've been impressive on its own -- Ricky's pupils were impressively disciplined for a bunch of arty young teens -- but performed in smoky darkness with Miles' signature trance smash as accompaniment, it became a silent ballet of swallowed fire and disappearing scarves.
In retrospect, it seems incredibly obvious that Ricky was a raver in his other life. 'Children,' released in 1995, became an international chart-topper and something else increasingly rare the following year: an entirely instrumental U.S. Top 40 hit, peaking at no. 21 on the Hot 100 in July 1996.
Though dance music had a major presence on the radio in the mid-'90s, it tended to be of the hi-NRG, diva house variety; big club beats and bigger soul vocals. Comb the Hot 100 from the week when Robert Miles -- who we sadly learned on Tuesday night (May 9) had died of an unspecified illness at age 47 -- hit his apex, and you can find hits by La Bouche, Amber, Billie Ray Martin and many more that match that general description. But 'Children' was a different beast: Huge and undeniable, but also intimate and inscrutable. Its parent album was called Dreamland, and according to, the song was in fact written to help combat drug-related auto deaths that were sweeping Miles' home country of Italy -- the thought being that if calmer records like Miles' were played at the end of a DJ's set, it might lead to less aggressive post-club driving. (The song was also inspired in part by pictures his father of kids hid father had brought from a humanitarian trip to war-torn Yugoslavia, hence the title.) Despite these tragic catalysts for its inception, 'Children' was hardly the of the dance floor -- it was still more buoyant than it was heavy, more adrenalizing than chilling.