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If someone tells you he understands the meaning of Jay Farrar’s lyrics, he will lie to you again. Okay, maybe someone with a PhD in philosophy and literature grasps them, but probably not. Cpu Components And Functions Pdf Creator. There have been obvious signs – going back to Uncle Tupelo – he’s on a different intellectual plane from mere mortals. Who uses words like farcical, paradigm, caryatid and workaday masses?

In songs, I mean. I’d say he’s on the same level as Rush’s Neil Peart, but if you’ve read enough Ayn Rand you can decode 2112. Nobody has a voice like Jay’s. That voice is what makes Son Volt sui generis – more than the writing, more than the punk-meets-country musical mash-ups. It seems as tough to describe as his lyrics are to decipher. Jay’s songs are one subset I never attempt to cover on the rare occasions I play in public.

I once called his ability to slide up and down the register without going off key as “dude can harmonize with himself.” A good friend – and a much better musician than I – did it one better: “He’s always about a quarter flat, but it works.”. For most if not all Son Volt fans, 1995’s Trace isn’t just the band’s best album, but one of very few records that are the benchmarks for all of alt country that came after. Viewed historically, they have a point that’s hard to argue.

Farrar recruited Uncle Tupelo’s drummer Mike Heidorn and the Boquist brothers, Jim (bass, backing vocals) and Dave (fiddle, banjo, mandolin, lap steel) for the band’s first iteration. And thanks to VH-1, “Drown” became their one bona fide radio hit. That lineup would last for two more albums and tours, plus a one-off in 2001 for a benefit for Alejandro Escovedo. Wide Swing Tremolo signaled Jay’s entry into well, weirdness, and a couple of solo albums that were, frankly, borderline unlistenable.